A Simple Lightroom and On1 Photo RAW Workflow
- One-click chromatic aberration removal
- Automatic lens corrections
- Perspective Correction (Lightroom’s Upright tool found in the Transform panel)
I use the first two tools above on every single photo I import into Lightroom, and the third on nearly every architecture photo. For me, On1 Photo RAW can’t take the place of Lightroom quite yet. However, it is worth noting that these features are expected in future releases of On1 Photo RAW.
My Lightroom and On1 Photo RAW Workflow
Simply put, my workflow usually looks something like this:
- Lightroom for RAW conversion and basic adjustments
- Plugin(s) for stylistic enhancements
- Lightroom for sharpening and output (i.e. web, print, etc.)
Step 1 – Lightroom
Presets are awesome.
I have an import preset that I apply to every photo that comes into Lightroom. It is aptly named “Ang’s Import Preset”. It includes a few basic adjustments that I apply to every single photo as well as a couple of tone adjustments that make the photo look a bit more like the JPEG preview on the back of the camera. (I shoot in RAW, always.)
Ang’s Import Preset Includes:
- +15 Contrast
- +10 Vibrance
- +50 Sharpening Amount
- +50 Sharpening Masking
Lens Corrections Panel
- Remove Chromatic Aberration – checked
- Enable Profile Corrections – checked
RAW Processing/Basic Tone Adjustments
Since my import preset is applied on import, I start my processing with white balance and basic tone adjustments.
- Set white balance to Daylight
- Enable Auto Tone as a starting point
- Automatically set white and black points (hold shift key while double clicking on the titles for the Whites and Blacks sliders)
- Reduce Highlights to -100
- Under the Lens Correction Panel increase the Distortion Amount to +200
- Using the crop tool, rotate the photo to straighten the lighthouse and then crop slightly from the bottom left corner to center it.
Already the photo looks a heck of a lot better.
Step 2 – On1 Photo RAW
Next, I’ll jump over to On1 Photo RAW for stylistic effects.
Exporting from Lightroom to On1 Photo RAW
There are a couple of ways to access On1 from Lightroom. The most intuitive way (the way most plugins are accessed) is by right-clicking on the photo, selecting Edit In–> and then choosing the plugin. (You can also access the Edit In option from the Photo Menu).
However, with On1, I suggest going to the File Menu –> Plug-in Extras –> and then selecting the On1 module you’d like to work with. This will allow you access to the Layers Module should you need it during your workflow. I won’t need Layers for this image, but I’ve made it a habit of choosing this method so that option is available if I decide to use it while I’m editing.
For this image, I went to the File Menu–>Plug-in Extras–>On1 Effects 2017 and opened the photo as a Smart Photo. An On1 Smart Photo will preserve your edits non-destructively so you can go back and adjust them later.
Once you are in On1, click on the button on the right side of the screen that says “Add Filter” to bring up a list of available filters.
Dynamic Contrast – Surreal
I almost always start with the Dynamic Contrast filter. When applying any filter in On1, I often click through the various presets to see which best suits the photo. In this case, I like what the Surreal preset does to the sky, but it makes the lighthouse and foliage in the foreground a bit too crunchy.
With the help of On1’s masking brush and Perfect Brush I can selectively apply the effect to the sky without affecting other parts of the photo.
Dynamic Contrast – Soft
Next, I added another Dynamic Contrast filter and chose the Soft preset.
The Soft preset adds a nice amount of contrast and detail to the lighthouse but makes the sky and foreground foliage way too crunchy. To fix this I copied the mask from the previous filter, inverted it (which removed the sky), and then used the masking brush and Perfect Brush to remove the effect from the foreground foliage.
I like the effect so far, but if you look closely the transition between the sky and lighthouse has a slight halo and looks a bit harsh.
To soften the effect I’ll go back to the filter affecting the sky and lower the opacity to 65%.
Color Enhancer – Warmer
The photo was looking pretty good, but the lighthouse needed a bit more warmth. I added the Color Enhancer filter and chose the Warmer preset. I wanted the effect to apply only to the lighthouse so I copied the mask from the Dynamic Contrast – Soft filter and pasted it to the Color Enhancer.
Tone Enhancer – Dark Contrast
Next, I added the Tone Enhancer filter with the Dark Contrast preset to emphasize the patina of age. Once again I copied the mask from the previous filter to apply the effect to the lighthouse only.
Tone Enhancer – Increase Exposure
I really loved how this photograph was shaping up, but with the various adjustments we’ve made thus far it was looking a bit dark. To correct this I applied another Tone Enhancer layer, this time affecting the entire image (no mask) and increased the exposure by .2 to brighten the photo a little bit.
Vignette – Big Softy
My final layer was a vignette. I love the Big Softy preset. However, it was a bit dark for this photo so I decreased the opacity to 50%.
Step 3 – Lightroom
Once my edited photo was back in Lightroom I applied a small amount of sharping (+25 Amount, +60 Masking) and called it a wrap. I’m very happy with the finished photograph. With the help of amazing tools like Lightroom and On1 Photo RAW I was able to turn a so-so snapshot into a beautiful, striking photograph.
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